A View of the City and Harbour of St. John, New Brunswick, N.A., taken from Hills WSW of Fort Howe, 1815, painted by Ralph Stennett. Published by Charles Turner, London. Aquatint and etching (48.7 x 60.7 cm). New Brunswick Museum, http://www.nbm-mnb.ca (21183.2).“Thoma [Thomas] Barnaby, deposed Restigouche Chief; taken in the act of relating (to the artist) a story of old Indian times.” Pencil sketch by H. D. O’Halloran [October] 1841, 21 x 13 cm. Drawn while the artist was visiting Mi’kmaq villages with Moses Perley or Lt. Rolland, or both, in September and October, 1841. PANB (MC3302.-MS3A-3).“Joseph Sebatis, Indian who carves the pipes,” by Sir or Lady Head, 1848. Graphite on paper. PANB (MC4225-MS1-3).Watercolour of Wolastoqiyik / Maliseet hunting scene attributed to Ariana Shore, possibly after John Stanton. Recto inscription “April 3rd, 1850.” PANB (MC14-MS26-C).Watercolour of Wolastoqiyik / Maliseet people, one carving a paddle, another holding a traditional fishing spear. Attributed to Ariana Shore, possibly after John Stanton, c.1850. PANB (MC14-MS26-D).“Indian Wigwam, Fredericton, N.B.,” attributed to Capt. John Campbell, c.1832-37. Graphite on wove paper. PANB (MC300-MS98-C).“The Governor’s House, Fredericton,” by William Henry Bartlett. Engraving by John Cousen, from Canadian Scenery, Vol. II, by Nathaniel Parker Willis, London, 1842. (21 x 27 cm). Hand-coloured. PANB (MC2946-MS2A-D).
“Antoine Misael [Mitchell] 90 years of age: taken in the act of explaining to the artist the meaning of certain hieroglyphic characters peculiar to the Micmac tribe of Indians,” by H. D. O’Halloran, Restigouche, October 1841, while the artist was visiting Mi’kmaq villages with Moses Perley or Lt. Rolland or both, in September and October 1841. Drawing, pencil on paper (21 x 13 cm). PANB (MC3302-MS3-A-2).“Josep André [Andrew] Julian [Julien], Chief of the Pogmoclch [Pogmouche] Indians: Negàni Saqamawit Pogm[?] : taken in the act of speaking in council,” by H. D. O’Halloran, 13 September 1841, while the artist was visiting Mi’kmaq villages with Moses Perley or Lt. Rolland or both, in September and October 1841. Drawing, pencil on paper (21.2 x 13.2 cm). PANB (MC3302-MS3-A-1).
“General View of Stanley, from the Road, August 1835,” by Philip Harry. Hand-coloured lithograph by S. Russell of Day and Haghe Lithographers, London, 1836. PANB (MC299-MS118-2).(Detail) “Plan of Ourasstook or St. John’s River from the Harbour of St. Johns (sic) to the Great Falls. From an Actual Survey in the winters of 1784 & 1785 By Dugald Campbell Lieutenant (late of the 42nd Reg.t) and Assist.t Engineer. Scale three miles to an inch.” 1785. Black and white silver gelatin photo print (copy) of original in PRO, London. This map is especially notable for its preservation of Maliseet place names, written next to the English. PANB (H3 203.29 1785).(Detail) “Plan of Ourasstook or St. Johns River from the Harbour of St. Johns (sic) to the Great Falls. From an Actual Survey in the winters of 1784 & 1785 By Dugald Campbell Lieutenant (late of the 42nd Reg.t) and Assist.t Engineer. Scale three miles to an inch.” 1785. Black and white silver gelatin photo print (copy) of original in PRO, London. This map is especially notable for its preservation of Maliseet place names, written next to the English. PANB (H3 203.29 1785).“On the Kenibeckasis near St. John,” by Lady Mary (Heaviside) Love. Hand-coloured lithograph, by Day and Haghe, London, 1831. PANB (MC299-4).“Caribou Hunting in New Brunswick – The Start.” Engraving by M. Jackson. Hand-coloured wood engraving from p. 88 of The Illustrated London News, January 24, 1863. Note what appears to be an aboriginal guide in the rear of the sleigh. PANB (MC299-11).“Caribou Hunting in New Brunswick – In at the Death,” anonymous artist and engraver. Published in The Illustrated London News, 18 January 1863. PANB.“Encampment of Surveying Party at the Site of Stanley,” by Phillip Harry, July 1834. Hand-coloured lithograph by S. Russell of Day and Haghe Lithographers, London, 1836. PANB (MC299-MS118-2).Interior of a Wigwam, Fredericton, c.1835-37, by William Robert Herries. Watercolour and pencil on paper (28.6 x 41.3 cm). Beaverbrook Art Gallery.Winter View from the Company’s Office at St. Mary’s Opposite Fredericton, Looking Up the River St. John, 1809, by Philip Harry after William Porden Kay. Coloured lithograph on paper (18.7 x 27.3 cm). Beaverbrook Art Gallery.Aboriginal Group at Gagetown, New Brunswick, 1875-78. James McClure & Company Stereograph. Albumen print mounted on card (8.7 x 17.6 cm). New Brunswick Museum, http://www.nbm-mnb.ca, (1956.43.19).
Making Baskets, c.1845, by John Thomas Stanton. Watercolour over red chalk on wove paper (23.4 x 18.3 cm). New Brunswick Museum, http://www.nbm-mnb.ca, (5179.1).Going to Market, c.1845, by John Thomas Stanton. Watercolour over red chalk on wove paper (23.2 x 18.4 cm). New Brunswick Museum, http://www.nbm-mnb.ca, (5179.2).Wolastoqew Girls, c.1860. Ambrotype mounted in embossed brass mat (6.5 x 5.2 cm). New Brunswick Museum, http://www.nbm-mnb.ca, (9544).Indian Hunter, 1843, by John Graham. Carved wood (195 x 80 x 56 cm). New Brunswick Museum, http://www.nbm-mnb.ca, (33257).Malecite Indian Wooden Hut Interior – St. John River, c.1840, by Robert Petley. Watercolour with graphite on wove paper, laid down on board. New Brunswick Museum, http://www.nbm-mnb.ca, (W5943).Moli Elizabet Francis, Mrs. John Alexander, Noel Francis, MAKAW and Others at Neqotkuk (Tobique First Nation), New Brunswick, c.1904. Photograph, silver print mounted on card. New Brunswick Museum, http://www.nbm-mnb.ca, (X10724).Soloman Bear, William Paul, Frank Sapier (Bungi), Peter Saulis and Others at Neqotkuk (Tobique First Nation), New Brunswick, c.1904. Photograph, silver print mounted on card. New Brunswick Museum, http://www.nbm-mnb.ca, (X11672).Wolastoqew Family with Baskets, New Brunswick, c.1935. Silver print. (12.8 x 17.8 cm). New Brunswick Museum, http://www.nbm-mnb.ca, (X11678).Soloman Bear, William Paul, Frank Sapier (Bungi), Peter Saulis and Others at Neqotkuk (Tobique First Nation), New Brunswick, c.1904. Photograph, silver print mounted on card (9.4 x 14.6 cm). New Brunswick Museum, http://www.nbm-mnb.ca, (X11672).Moli Elizabet Francis, Mrs. John Alexander, Noel Francis, MAKAW and Others at Neqotkuk (Tobique First Nation), New Brunswick, c.1904. Photograph, silver print mounted on card (14.6 x 9.4 cm). New Brunswick Museum, http://www.nbm-mnb.ca, (X10724).Annie Sacobie at Entrance to a Birchbark Wigwam, Evandale, New Brunswick, c.1908. Colour letterpress halftone on card (8.6 x 13.8 cm). New Brunswick Museum, http://www.nbm-mnb.ca, (X14838).Wolastoqew Camp near Rothesay Park, New Brunswick, c.1910. Postcard, colour letterpress halftone on card (8.8 x 13.9 cm). New Brunswick Museum, nbm-mnb.ca, (X14841).Annie Sacobie at Entrance to a Birchbark Wigwam, Evandale, New Brunswick, c.1908. Postcard, colour letterpress halftone on card (8.6 x 13.8 cm). New Brunswick Museum, http://www.nbm-mnb.ca, (X14838).Wolastoqew Village at Nerepis Bridge, St. John River, New Brunswick, c. 1910. Postcard, colour letterpress halftone on card (8.6 x 13.7 cm). New Brunswick Museum, http://www.nbm-mnb.ca, (X14851).Wolastoqew Camp near Rothesay Park, New Brunswick, c.1910. Postcard, colour letterpress halftone on card (8.8 x 13.9 cm). New Brunswick Museum, http://www.nbm-mnb.ca, (X14841).Wolastoqew Family with Baskets, New Brunswick, c.1935. Photograph, silver print. (12.8 x 17.8 cm). New Brunswick Museum, http://www.nbm-mnb.ca, (X11678).The Green at Fredericton, by James-Charles Armytage, c.1842. Published by George Virtue, London, 1842. Engraving in plate (13.0 x 18.2 cm). PANB (MC2946-MS2A).Indian Dance at Government House, Fredericton, New Brunswick on the 1st of January 1835 at which Major W. N. Orange was present, by John Campbell, c. 1835. Painting (23.5 x 28.4 cm). McCord Museum, Montreal (M978.83.6).Mission of Restigouche, by Thomas Armstrong, 1841. Engraving. From Vol. II of “The Canadas in 1841,” by Sir Richard H. Bonnycastle. New Brunswick Legislative Library, (917.1.B718).Aboriginal Group at Gagetown, New Brunswick, 1875-78. James McClure & Company. Stereograph, albumen print mounted on card (8.7 x 17.6 cm). New Brunswick Museum, http://www.nbm-mnb.ca, (1956.43.19).View of Saint John, New Brunswick, 1814, by Joseph Brown Comingo, after an 1821 painting. Watercolour, with pen and ink on wove paper (34.7 x 51.6 cm). New Brunswick Museum, http://www.nbm-mnb.ca, (1966.100A).View of Saint John, New Brunswick, 1814., Joseph Brown Comingo, after 1821 painting. Watercolour, with pen and ink on wove paper (34.7 x 51.6 cm). New Brunswick Museum, http://www.nbm-mnb.ca, (1966.100A).Aboriginal Group at Gagetown, New Brunswick, 1875-78. James McClure & Company Stereograph. Albumen print mounted on card (8.7 x 17.6 cm). New Brunswick Museum, http://www.nbm-mnb.ca, (1956.43.19).
Brandy Saturley. Let Your Backbone Rise, 2016. Acrylic on canvas, (91.5 x 91.5 cm). ArtMoi ID: 2Z6-034-2L6 (http://www.brandysaturley.com)
Tom Thomson. Cottage on a Rocky Shore, 1914. Oil on wood, mounted on plywood, (21.6 x 26.7 cm). NGC no. 4665
Thomas Davies. A North View of Fort Frederick Built by Order of the Honourable Colonel Robert Monckton, 1758. Watercolour, pen and black ink on laid paper, (37.7 x 53.6 cm). NGC no. 6269
Tom Thomson. The Poacher, 1915. Oil on wood panel, (21.5 x 26.8 cm). AGO ID. 69193
Norman K. Hay. Prospect, Nova Scotia, c. 1933. Watercolour on paper, (28.3 x 38.8 cm) Art Gallery of Nova Scotia no. 1976.22
A View of the Bridge on the River La Puce near Quebec in Canada, Taken near 1790, 1790. Watercolour over graphite on laid paper (34.1 x 51.5 cm). NGC no. 6278
A View of Château-Richer Church near Quebec in Canada, Taken in 1788, 1788. Thomas Davies, watercolour over graphite on laid paper (34.3 x 51.8 cm). NGC Accession no. 6279
Elizabeth Adela Forbes. A Woman and Child in a Hay Field, 1910. Watercolour over charcoal on wove paper, mounted on linen, (64 x 53.3 cm). NGC no. 1288
Clarence Gagnon. Harvesting, ca. 1930. Painting on paper, (21.2 x 18.9 cm). McMichael Canadian Art Collection no. 1969.4.27
Mary Pratt. Trout in a Bucket, 1974. Oil on board (61.0 x 76.2 cm)
William Armstrong. Thunder Cape, Lake Superior, 1867. Watercolour on paper, (69.2 x 49.8 cm) LAC 1970-188-2351
Francis Swaine. A View of Miramichi, after 1760. Oil on canvas (73.5 x 106.8 cm). NGC no. 4976
Franklin Brownell. Hay Sleds, Byward Market, Ottawa, 1916. Pastel on brown wove paper (28 x 37.8 cm). NGC no. 1434
Muskoka, 1875. Oil on canvas, (54 x 80.6 cm). OA no. 619842
George Heriot, An Encounter, Canada, c. 1799. Watercolour, scraper, pen and brown ink on heavy laid paper, (20.3 x 29.2 cm) NGC no. 26730
Thomas Davies. View on the River La Puce near Quebec in Canada, 1792. Watercolour over graphite on laid paper (51.3 x 34.2 cm). NGC no. 6274
Charles Huot. The Potato Peeler, date unknown. Oil on canvas (32.6 x 24.1 cm). NGC no. 37779
J.E.H. MacDonald, Harvest Field at Thornhill, 1913. Oil on canvas (16.2×22.5 cm). Vancouver Art Gallery no. 86.189
Frank Johnston. Camp Borden, 1919. Oil on Canvas, (137.6 x 183.6 cm). CWM no. 19710261-0242
Sawmill at Port Carling, Muskoka, 1885. Watercolour with touches of gouache over pencil on wove paper (20.4 x 13.5 cm). LAC R9266
Muskoka Scene, No date. Oil on cardboard, (91.4 x 149.9 cm). OA no. 619789
Franklin Carmichael. Wabajisik: Drowned Land, 1929. Water colour on gouache over charcoal on wove paper, (51.8 x 69.8 cm). NGC no. 37158
Mary Pratt. Glassy Apples, 1994. Oil on canvas (45.7 x 61.0 cm)
Thomas Davies. A View near Point Levy opposite Quebec with an Indian Encampment, Taken in 1788, 1788. Watercolour over graphite on laid paper, (35.1 x 52.5 cm). NGC no. 6280
Jack Humphrey. Village, Grand Manan, 1936. Watercolour over charcoal on wove paper, (27.9 x 38.2 cm). NGC no. 16596
Tom Thomson. Timber Chute, 1915. Oil on composite wood-pulp board, (21.6 x 26.7 cm). NGC no. 4674
Robert Newton Hurley, North Battleford – At Sunset, 1942. Watercolour and Graphite, Mendel Art Gallery no. 1993.9
Agriculture – Stooks and Stooking, Gravelbourg District. Photograph, PAS R-A15121-1
Bill Waiser. Loyal Till Death: Indians and the Northwest Rebellion, 1885. Photograph, (11.5 x 16 mm). SAIN Bill Waiser Fonds, B19-Photos-Cree
Bill Waiser. Loyal Till Death: Indians and the Northwest Rebellion, 1885. Sketch, (8 x 16.5 mm). SAIN Bill Waiser Fonds, B19-Photos-Cree
Loading H.B.C. barges at Prince Albert for trading posts along the North Sask (multiple), ca. 1870. PAS R-A4371
Loading H.B.C. barges at Prince Albert for Trading Posts Along the North Saskatchewan River (multiple), ca. 1870. Photograph, (Various Sizes). PAS R-A4369
Loading H.B.C. barges at Prince Albert for trading posts along the North Sask (multiple), ca. 1870. PAS R-A4369
The bridges, St. John, NB, about 1898. Photograph. Silver salts on paper mounted on paper – Albumen process, (18cm x 24cm). McCord Museum VIEW-3269.1
Fort Pelly, 1920. Photograph. PAS R-A4371
Wm. Notman & Son. Mackie’s farm, North Battleford, SK, 1920, 1920. Silver salts on film, (20 x 25 cm). McCord Museum VIEW-8549
Wm. Notman & Son, J. Tait’s Farm, North Battleford, SK, 1920. Silver salts on film – Gelatin silver process, (20 x 25 cm). McCord Museum VIEW-8544.
A. Buisson, St. Anthony Mine (Panorama) Sturgeon Lake, Ont, 1936. Photograph. LAC PA-014872.
1200′ section, No. 2 vein, outcrop is at higher elevation above lake (150′) shows No. 10 Pit X, Great Bear Lake, N.W.T., 1931. Photograph. LAC PA-014785
Cameron Lake Settlement, Great Bear Lake, N.W.T., Photograph. LAC PA-017818.
Flin Flon Lake, Date Unknown. Photograph. LAC e002713113
Rough border of Laurentian plateau, Pikes Portage east of Great Slave Lake, N.W.T. Dura Lake portage, 1923. Photograph. LAC PA-019184
Charles MacMunn, Trestle at North Bend, BC, about 1885. Photograph, (16×21 cm). McCord Museum MP-0000.600.33
Construction of the Cantilever Bridge, Reversing Falls, Saint John, New Brunswick, c. 1885. Glass Lantern Slide, (8×10 cm). NB Museum Collection LS-AA188
Wallis & Shepherd. Interprovincial Bridge, Hull-Ottawa, QC-ON, 1900. Silver salts on glass – Gelatin dry plate process, (6cm x 8cm). McCord Museum MP-0000.27.182
William Notman, Old Mill Fall, Riviére du Loup, QC, about 1860. Silver salts on paper mounted on card – Albumen process, (7.3x7cm). McCord Museum N-0000.193.92.1
Man and woman in a garden, Toronto, Ontario, around 1859. Photograph, silver salts on paper – Albumen process, (10 x 12 cm). McCord Museum MP-1975.221.
Wm. Notman & Son. Drawing hay to market across the St. Lawrence River, QC, 1903. Silver salts, frosting on glass – Gelatin dry plate process, (20 x 25 cm). McCord Museum VIEW-3618
Louis Riel North West Rebellion 1885, 1885. Photograph, (10 x 21.3cm). CMH no. 996.2.18
Louis Riel North West Rebellion 1885, 1885. Photograph, (10 x 21.3cm). CMH no. 996.2.12
Hall & Lowe. Louis Riel North West Rebellion 1885, 1885. Photographic Print, (14.0 x 22.0 cm). CMH no. 996.2.31
Hall & Lowe. Louis Riel North West Rebellion 1885, 1885. Photographic Print, (17.5 x 12.5 cm). CMH no. 996.2.23
Louis Riel North West Rebellion 1885, 1885. Photograph (13.1 x 21.4cm) CMH no. 996.2.10.
1939 Royal Visit: King George VI & Queen Elizabeth, 1939. Promotional Thermometer, (15.4 x 20.5 x 0.8cm). CMH no. 998.14.12
Louis Riel North West Rebellion 1885 Hall & Lowe. Louis Riel North West Rebellion 1885, 1885. Photographic Print, (13.0 x 21.3 cm). CMH no. 996.2.35
Tom Thomson, standing on a rock fishing in moving water. Photograph, LAC Box 03935
Stony Creek Bridge, 296 ft. High, ca. 1905. Postcard. Manu’d by Thomson Stationary Co. (CHIN search: train bridge)
The bridges, St. John, NB, about 1898. Photograph. Silver salts on paper mounted on paper – Albumen process, (18cm x 24cm). McCord Museum VIEW-3269.1
Homer Watson. Sketchbook T Hay Wagon, Date Unknown. Drawing, (16.7 x 26.7 cm). NGC accession no. 7892.1-39
Homer Watson. Hay Wagon, date unknown, purchased 1962. Pen and black ink on wove paper, (14.4 x 20.8 cm) NGC no. 7892.10r.
Homer Watson. Hay Ricks, 1889-1890. Etching on wove paper, (12.7 x 17.8 cm). NGC no. 7901
Wm. Notman & Son. Oat field, F. Carpenter’s farm, Battleford, SK, 1920, 1920. Silver salts on film, (20 x 25 cm). McCord Museum VIEW-8546
